Tag Archives: writing

How I got to tell that story….

So almost a year ago, I’m listening to the WBAI – my local Pacifica station or as the better-half refers to it – Commie Radio. It’s The Next Hour, a Sunday arts show, and there are these two men talking about their theater piece which is called Two Men Talking . These two men who had met in a private Jewish day school in South Africa when they were twelve, tell stories about their evolving friendship and their lives. The show though it always features certain core stories is always different. I liked what I was hearing. Plus it was, as it often is on BAI, a pledge drive and for $200, you could get two tickets to the show and one admission to their all day storytelling workshop and learn a little about how to do what they do.

I pay my $200. Go to see the show which the better-half and I both found very moving although to say much more would be to spoil it. Then came the workshop.

It was a beautiful Sunday morning, sunny, the sky was clear and it wasn’t too hot. I got to the building – a large studio complex in Greenwich Village where there was the smell of smoke and several entrances closed due to a fire that morning. The gathering crowd, the sense of “What the hell is going on?”, the weather, and the lower Manhattan locale all combined to remind me of that thing that happened a few years ago…. And if you were in the City when it did, you know what I’m talking about.

But we did manage to find our way to a spacious studio with a rooftop patio that with river views. The workshop was spectacular. Filled with really good storytellers, but the technique was challenging. Tell what happened. Sounds simple but when that means you can’t rely on your shtick, you can’t give an opinion or even tell how you felt, it’s tough. But the result was stories that flowed like conversation and allowed the listener to have his or her own experience. It reminded me of something I’d heard once about acting. It doesn’t matter if you can cry on a stage. The point is to make the audience cry.

I signed up for the 4-week advanced series. By the end, I felt like I had a handle on it and a few good memoir stories to tell and write. Then I got THE CALL. The two men were going back on WBAI and this time they were bringing some of their storytellers and I was invited. And so I got to tell a story on the radio. (I’ll upload it when I can find it and figure out how to do it. In the meantime, go here to see a written version.) All of the storytellers were radio virgins, we were sitting in a circle and it felt intimate and safe like the workshop.

After my story, Janet Coleman the host, asked Murry Nossel one of the Two Men, “How could she have screwed that up?”

Murray replied, “She could have told us how she felt.”

And that was the whole point of telling “what happened”. It’s a bit like saying “trust the reader” if you’re a fiction writer. If you tell how YOU felt, than you are telling the listener how to feel instead of allowing them to have their own feelings.

A couple of months later, I hear from Jerome Deroy who runs the business end of the workshops. He tells me that they are going to film some storytellers for the website and I’m again invited. I chose a more upbeat one than the one I’d told on the radio. It’s more upbeat than the radio story and a good one for aspiring writers and other aspirants to hear. Check it out!

Crack for the Unpublished

Why no recent posts? Why no emails to my friends? Why am I losing weight and why does my husband say he feels like he’s living with a ghost? The answer my friends, is Authonomy — crack for the unpublished novelist.

Authonomy was created by Harper-Collins UK in order to eliminate their slush pile. The deal is they won’t read anything unsolicited or unagented, but writers can post excerpts or entire manuscripts on this “social networking site.” None of the stigma of being self-published since you’re only “previewing” your work. Meantime you can upload a cover, work on your pitch, write your bio and do all of the stuff real writers do. You even get reviews from the other chumps on the site. When one of the top ranked authors gave me a glowing review the first day up, I was hooked. Soon, however, I came to understand the dark side.

Every member of Authonomy gets a bookshelf with space for 5 books. If you put a book you like on your shelf, then all your friends on the site will see it there and may decide to read it. If you “back” an up and coming book, then your “trend setting rank” will rise. This means that when you back a book the book’s ranking will rise more than if it was backed by a mere mortal.

Why is the book’s ranking important? Because every month the HC-overlords review the 5 top ranked books. This doesn’t mean that they will publish any of them, and some of their reviews have been painful to read, but it does mean that people believe that they have a shot if they can just get high enough in the rankings. (HC has also given contracts to some novels that they spotted on the site which didn’t rise to the top.) So between the personal trend-setter rank and the book ranks, there’s a lot of politicking going on with people swapping reads. You’re somehow ethically bound not to put books on your shelf unless you really “believe” in them, and yet…

I had a meteoric rise my first week, but this involved reading and commenting on many other books, accepting offers of “friendship” in return for reading swaps, soliciting the top ranked — who weren’t all that interested as they get tons of offers to swap and besides a newbie’s ranking isn’t going to help their books rise. Some of the books I read were better than a lot of what’s on non-virtual shelves, some not so much. But I often felt obliged to shelf those who shelved me. I began to wonder if I was getting a reputation for being “easy” — an Authonomy-whore. I began to question the sincerity of the reviews I received, even the decisions by others to put my book on the shelf. And yet seeing my virtual book with it’s virtual cover rising on the weekly “what’s hot” list, reaching number 6 in literary fiction after only 5 days on the site, kept me coming back for more.

I have become convinced that HC isn’t really involved in this at all. It’s all a Milgramesque experiment set up by deranged social scientists (Is there any other kind?) designed to show the level of depravity to which the desperate will sink when they have their eyes on the prize.

But still I cannot stop myself ….

And now that my book has reached the top 200, I’m seeing less “bump” (score change) each time I get shelved. The first few days, I moved hundreds of points within hours. Now nada. Like heroin you build a tolerance and need more just to get through.

So if I disappear, if you don’t see any new blogs, you’ll know where I am. Sweet Jesus, won’t someone save me?

Famous in Denmark

So last week (1/10) I wrote about discovering that a story I wrote a lifetime ago was being read in a high school class in Denmark.

Now I’ve heard back from the teacher:

“Dear Marion!
How strange that I should receive an email from you. Yes, I can understand that you must have been surprised to see your story as part of a Danish final year in advanced English curriculum Way back I attended a university course at South Danish University about
short stories. Your text was there among many others. I got hold of The Quarterly where it was printed and I have used it many times in various contexts. Both when the theme was “Man and Nature” and as an example of a postmodern text. It must have touched a special nerve in me, the description of the good dog that gradually turns brutal, wild, and repulsive. Also the beginning with the allusion to the retarded, not-so-charming looking sibling in the smiling family photo, I have always found full of teaching possibilities.
So the fact that I have not grown tired of it is a sign that it is a very good story, indeed. I will keep your letter and read it to my English class. They will enjoy imagining their 60- year-old teacher as a backpacker, picking up a weatherbeaten short story somewhere far away from Odense.

Best wishes
Karen Dickmeiss
Odense Katedralskole”

I’m going to work on a story about this. Next week’s topic at The Moth (www.themoth.com) is going to be HOPE. So I’m going to tell a story for everyone out there who’s waiting to hear back about that manuscript, hoping that the boss will say a kind word, waiting for some sign that the lover appreciates you or that your familly “gets” you, or that the work you do every day actually has some meaning. Because all this time I’m thinking I’m obscure, I’m being read in Denmark. How fucking cool is that!