Most post-apocalyptic movies explore how life goes on after it is all but destroyed. Perhaps we devolve, while the apes get smarter and take over. Could they do worse? Maybe the bonds between a boy and his dog will still be the greatest love of all? Or between a father and a son? We might be dining on each other or living in silos, but at least a few of us will be alive.
In these films, there’s always an after, even if it’s so bleak you’d rather not live to see it. On The Beach is different. The premise simple: A nuclear war started, possibly by accident, has led to worldwide radioactive fallout destroying life on the planet, except for Australia where the radioactive winds haven’t reached yet – but they’re coming in about five months or so and when they do – lights out for all. Meantime, life seems strangely normal. There are horse-drawn carts on the streets of Melbourne, but also cars, and the trains still run. Perhaps, humanity is in denial, or maybe this is a more likely scenario than the mayhem we see in most end-of-the-world is coming films. After all, most humans when given a terminal diagnosis go on pretty much as they were.
Lt. Peter Holmes (Anthony Perkins) of the Royal Australian Navy, still makes sure the bottle is warm when he feeds his infant daughter, and still follows orders. His wife, Mary, would rather not even speak about what’s to come, though in this she doesn’t seem different than most. Peter is assigned to be a liaison officer on a mission being carried out by a US submarine that was at sea when the blast hit. Under the command of Dwight Towers (Gregory Peck), the USS Sawfish will head north and check on air and water samples to see if just maybe the radiation might be Continue reading The End of the World — On The Beach