Yesterday I stop by Spoonbill & Sugarman, an independent bookstore in Williamsburg. I had the idea that I was going to show them the novel I’ve written — a dark tale inspired by real events set in the East Village in the late 1980’s. What better venue could there be for it (except possibly St. Mark’s Books?). The 80’s — crime, drugs, disease — it’s all coming back. As for gentrification, even when you’re paying $1,000 for less than 100 square feet in a share, gentrification is always “the next guy.” While many of the hipsters frequenting Spoonbill will have been much too young to remember the history behind the fiction, some will know abouthe police riots in Tompkins Square, or will have heard of the man with the rooster and the cautionary tale of the young woman whose bones were rendered and served to the homeless in a soup.
I get off at Bedford, a mere four blocks from 102 Bedford Avenue, between N11th and N12th where I used to live once for about nine years. I walk south instead of north and enter the store. I’d visited an independent bookstore down there in the old Downer’s Pharmacy shop once years ago. (No, I’m not so old I remember when it was Downer’s Pharmacy, but I do remember the sign in the window.) That location was now an upscale bistro.
Had I actually been in Spoonbill? Possibly, that day a couple of summers ago, with my in-laws when we’d spotted a group of Hasidic men trying to play baseball in McCarren Park, feeding every stereotype of Jewish non-athleticism in the process.
I walk into a bookshop dazzling in hipster perfection, the platonic ideal of the Williamsburg bookstore.
I froze.
There I was with a copy of my book in my daypack, prepared with a little spiel and ready to offer my wares. I had practiced talking about my willingness to sell on consignment and/or match Ingram’s price with no delivery fee, my willingness to sign books or have an event. But I could barely do more than pretend to browse. Even as the customers left and it was just me and one guy behind the counter, I was terrified. It was a reptilian, irrational fear.
Will the man behind the counter look at the obvious flaws in the cover? Shout at me: “It’s a POD and you, madam are a FRAUD.” Will he laugh at my little tome and say, “Try selling it on the kindle.”
I was suddenly aware that it was not the too damn high rents that had forced me to leave Williamsburg those many years ago, but my own feeling of inadequacy. The realization that the entire neighborhood had turned into a club, and not only wasn’t I a member, but no one would even discuss the criteria for application much less the secret handshake. There was no refuge from an agoraphobia so pervasive that even my apartment had become part of the marketplace, and I had no choice but to flee.
It was of no importance whether the man behind the counter was a clerk or a proprietor. Whomever he was, I was suddenly aware that he had the power to destroy me with a word. Not even a word, a gesture, a raised eyebrow, even the most minute curling of the lip which I would easily be able to interpret as “Go back to the suburbs, old lady and take this self-published piece of crap with you.”
For the past 3 years, I’ve been booked Labor Day weekend — no picnics, barbecues, hikes or drives to the country. You’ll find me out on my balcony (weather permitting) with my laptop and a cup of weak coffee by my side, churning out a mini-masterpiece for the International 3 Day Novel Contest. It’s a simple premise — start and complete a novel over the 72 hour holiday weekend.
On the honor system. It’s Canadian.
The first year I entered, I did hope to achieve the ultimate prize: publication. The first prize is a book contract with a small press. They don’t announce the winners till January. I drove myself nuts waiting. It was a more intense experience than any previous contest I’d ever entered before. The reason now seems clear. This isn’t a normal situation where you enter using something that’ you wrote long ago. The 3-Day demands that you create something new and create it under intense pressure. You are allowed to write an outline in advance though mine have proven useless once I started. One emerges at the end with a sense that one has been through, if not an ordeal, then at least an intense ritualistic experience.
In my case, I’m not the only one going through it. My better half has been a devoted partner, acting as a caregiver, cook, sounding board, personal assistant , and massage therapist. He’s also signed off on the “affirmation” statement that the novel was started and completed within the time frame.
This year life issues were getting in the way of the creative flow. Ten days before the big day, I had no clear idea about what I even wanted to write. The BH demanded I show him some outlines and pick a plot so that I would not spend the first few hours staring in horror at blank screen. I came up with two ideas — one was a sort of As I Lay Dying set in present day Queens, the other a strangely lighthearted lad-lit tale of a youngish man getting romantic advice from an old man/ghost haunting his basement apartment. Thank goodness, he advised me to go for the latter.
Have I ever won? Not exactly. But winning isn’t everything; in fact, it’s not even relevant. I’d compare it to entering the New York City Marathon. It’s much more about personal best and achievement than it is about getting first place. (Though it would be nice if like a marathon they gave prizes in categories. I’d settle for best novel in the under 25k words category by a woman over 40.) However, that’s not how I felt the first time I entered.
My first entry, The Death Trip came in at a bit above 20,000 words, barely a novella. They say size doesn’t matter, but then they say it might be a factor. I didn’t even make the shortlist. My better-half who loved the story, is still bitter. But here’s what I did get out of it: I got a novella draft in need of little (but not much) revision. I not only got it quick, but I got it with a story that I might never have bothered with otherwise. I learned that I could crank out something coherent in 3 days. I also used the obsession I developed waiting for the results as the basis for a story I told at the Narativ Story Workshop which was filmed, and then used by 3Day on their website.
I revised the novella and realized after a couple of rejections there wasn’t a big market for it at that length. I had no desire to either shorten or expand it, so I decided to put it out as an e-book. To date I’ve had over 1,800 downloads.
My effort the second time around, Hungry Ghosts, actually made the short-list. It too barely made it to 20k, but I fell in love with the story and although other projects have gotten in the way, I’m still working on expanding it to a full novel length. With its combination of erotica and horror, I’m hoping it may even be commercially viable. I’m sure it never would have been written without the contest. All I had of it before Labor Day was a first line (which I wound up changing), a premise that wasn’t completely thought out, and a list of characters.
This year, I promised myself I would somehow get up to 27k, and somehow made it to just that point. Of course I’m still hoping that the third time is the charm, but even if I don’t make this year’s short list, I’m still feeling high from the writing. As a way to jump start a first draft, the 3 Day can’t be beat.
It hasn’t gotten easier over time. I had a tough first night or more literally morning this go-round, but the spirit of the thing kicked in — the idea that in some way, I’d been “preparing,” anticipating this special weekend, reserving it for a purpose. I felt like I had nothing to lose by continuing, so there was no reason not to push on to the end.
I wound up with something unlike anything I’d written before — a lighthearted view of gentrification that almost celebrates the entrepreneurial spirit of people who buy and develop property, a romance that might even work, a happy ending!
The process allows writers to take risks and encourages them to follow Elmore Leonard’s maxim and “skip the boring parts” because there’s simply no time to write them. Whatever I think I learned getting my MFA is useless. More useful is the storytelling technique practiced at Narativ. Although that method was designed for oral storytelling of true stories, the method of focusing on “what happened” and not explaining it, kept me from getting lost in my story and forced me to keep going, even when I wasn’t sure of where.
Thanks to the contest, I now have one novella out in the world attracting a little bit of attention, and I have two projects that need development and expansion, so I don’t have to face the dreaded blank page. I have confidence in my ability to crank out material under pressure and I’ve further honed my skills. The contest allows you to turn your home into a writer’s retreat at a much lower cost than actually traveling to one. It costs $50 to enter, waived if you got a prize or honorable mention the previous year.
So to anyone who writes fiction or has even thought about writing fiction mark your calendar now and start thinking about the book you’ll be writing Labor Day Weekend 2011 (thinking is not against the rules).
Here’s the clip of me talking about my first 3- Day experience:
It was back in the 1980’s. I’m not sure of the year, and if I were, I wouldn’t tell you because it would make me sound ancient, but it was sometime before we all had PC’s, before even the big boxy cell phones.
In those days there were still companies like Wang that made one-function computers called “word processors,” and the people who worked on these machines were also called “word processors,” and the ones who did this only on occasion while imagining they were destined for better things were called “temps.”
Yes, dear reader, I was a temp.
My specialty was Wang, and though I wasn’t the world’s fastest typist (that means keyboarder children), I was good enough to sometimes join the elite who worked graveyard shift. Graveyard was almost exclusively at large firms.The pace could be quick, but often there was lots of downtime waiting for lawyers and paralegals to make their changes. Sometimes the computer “system” would mysteriously go “down” and people would sit around for hours on some corporate client’s dime. There were perks like free food, and many companies would pay for a car service either to or from the office.There was also a fat hourly pay differential.
I wasn’t getting a lot of night work, so I decided to expand my skills by learning another word processing program. This one could be done on a regular computer like IBM and was called, Wordstar. Unlike Wang — an ancestor programming-wise of Word — Wordstar was command, not menu driven. I’d taught myself using a book in a friend’s office and was good enough to pass the temp agency test.
My first Wordstar assignment was at a small firm located in midtown on the 19th floor of the Chrysler Building. There was no car service offered, so I drove in from pre-hipster Williamsburg in my 1972 Dodge Dart and easily found a space good till 8:00 am when I’d be out. This was not like my Wang gigs. I arrived and found a tiny office with just one other temp working who was about to go off shift.Like me she was somewhere in her twenties.Unlike me she was African-American a bit zoftig, with braids. She immediately started telling me how she was really a writer and had had a meeting with Spike Lee. She kept calling him Spike and was very excited. She didn’t ask me about my own ambitions or dreams, and I remember thinking that she was either insane or soon to be famous. Strangely, as it would turn out, the latter was true and this was in fact an encounter with greatness.
The lawyer came in, and Suzan-Lori-Parks left. He wasn’t so old either and explained the assignment to me. He’d be bringing in more copy and edits throughout the evening. It was a very important contract and due in the morning. I got started. He’d come in with more stuff, kind of nervous. Sometimes I’d walk down the hall to where he was working to ask a question. Often he was in the bathroom.This was not uncommon. Lawyers working the night shift during the 1980’s seemed to spend a lot of time in the bathroom and often emerged with new found energy, but they tended to have a very short fuse.
At some point, I had to do some repaging and I ran into a problem. The problem was that I was completely without a clue.I had no idea what to do. It was the middle of the night and I couldn’t think of anyone who could help. Well, one person maybe, a friend who was a professional word processing supervisor, but I didn’t have my phone book with me, and I couldn’t get an outside line anyway, and this was before cell phones and the Internet and he probably would have been sound asleep.
The lawyer came in more on edge because it was now getting very late. I stalled. He left. I tried a couple of things but couldn’t figure it out. I went back to look for him, ready to confess my incompetence, and scared for my safety. He was in the men’s room again.
I looked down the hall at the office I had come from. I looked at the men’s room that the lawyer would emerge from any second. I looked at the silent elevators which required a key that I didn’t have and the lawyer in the men’s room did, and then I looked at the emergency fire exit door.
I opened the door. No alarm sounded. I made my way down one flight of stairs after another. Strangely, I emerged on the street almost right in front of the Dart. I got in and drove home as dawn broke in New York City.
For a while I screened the calls as they came through the answering machine. I didn’t hear anything from the temp agency till about two weeks later. I picked up. They wanted to send me out on a job. I told all to the very nice counselor who hadn’t heard about my disgraceful behavior.
She replied, “Well, Freed Frank requested you and that’s Wang. We won’t send you on anymore Wordstar.”
I don’t know what happened to that lawyer when his document wasn’t ready that morning. Maybe they got Suzan-Lori Parks back to save the day.
(This post from May 2010 is being reposted to the front page in honor of Mittens Romney’s most recent outrage against America gaffe. As you can see, the first couple of paragraphs explain how my family’s good fortune came about as a direct result of government programs hand-outs which helped them to get stuff like food, shelter, health care, housing, education etc. which made it possible for them to join the growing post WWII middle-class where they contributed to the economy in all kinds of ways including by paying income taxes. Feel free to explain to me why this was a bad thing, and how this “dependence” ruined our lives as I’m obviously to ignorant to “get it.”)
My parents grew up during the Great Depression when even in New York, rents were cheap — though no one could afford anything. My mother was raised in Williamsburg, Brooklyn, on the Southside in cramped apartments –railroad flats mostly, four people in less than 400 square feet. They’d move whenever her mother found a better deal.
Despite coming from poor immigrant families, both my parents were able to get college degrees while living at home and attending city colleges, which at the time had free tuition and great reputations.
They married during World War II, and when my father came home he was able to go to optometry school on the GI Bill which also provided a rent subsidy. Plus the city had introduced its rent control program, so my parents could afford to start a family. At one point, they lived in the Queensbridge housing projectsalong with many other returning veterans and young brides. No one should underestimate how much these safety nets helped grow a middle class.
My father began his career working for another optometrist, but he bought some equipment and saw patients in his living room evenings after work. Eventually, my parents bought a 3-family home on 43rd Street in Sunnyside, Queens, just a few subway stops from midtown. My mother wasn’t thrilled with the house at first. She wanted something on the more fashionable north side of Queens Boulevard, closer to the almost tony, Sunnyside Gardens, but the wide two-way street was more commercial and would work better for my father’s business which they planned to run from the home. Besides, the houses on the south side were less expensive.
Our family’s sleeping quarters were upstairs. My brother’s bedroom had been a kitchen. They left the kitchen sink and cabinets, which he used for storage. The bed was placed where the kitchen table would logically have been. My grandmother had the bedroom next to his. My sister slept in what would have been the dining room had they used the upstairs kitchen. There was no closet, and the only window was off an air-shaft. It was necessary to walk through my sister’s bedroom to reach my parent’s bedroom behind it. My parents slept on a trundle bed, what they called “a high-riser”. There was also a couch and a piano in their room which served as a living room as well.
Downstairs, underneath my brother’s room, there was a working kitchen with an eat-in area. The room directly below my grandmother’s was used during the day as my father’s examination room and at night as a family room. In addition to the examination equipment, it featured a large console black and white television. The freestanding glass-slide projector for exams with its long metal snout became a moving object of terror in my nightmares. The examination chair which moved up and down was an enchanting as an amusement park ride. The office, where the frames were displayed, was under my sister’s walk-through bedroom. Years later, by the time I was old enough to have “sleepovers,” I would sneak down there with my friends to try on frames. There was an arch with a hard plastic room-dividing curtain (usually kept open) that separated the office from the waiting room (which was of course under my parent’s then bedroom). My father would sometimes host his weekly pinochle game in the waiting room, and on those rare occasions when we invited my cousins for holiday dinners, we’d open up a large metal folding table, put a cloth on it and turn the waiting room into a formal dining room.
Below the kitchen and examination room, there was a garage, barely wide enough for two cars. We rented out one of the spaces and tried not to scratch the tenant’s car when we got in or out of our own. There was a basement studio apartment more or less below the waiting room and office which we rented out to a single man with a cat.
Living room 12/2005
After my grandmother was institutionalized, my sister moved into her bedroom. enjoying a brief period of privacy before I was born. My parents then tore down the wall between her old room and the living room creating a large space separated by only by an arch that made it seem even larger. They moved their trundle bed over to where my sister’s had been, added a hutch that served as their dresser but could pass as living room furniture. This room had huge casement windows as well as parquet hard wood floors. Like the waiting room below it and the studio below that, there was a nonworking brick fireplace decorated with faux-fireplace implements and electric logs that glowed and crackled.
In need of more lebensraum, my parents evicted the basement renter.and the studio became a laundry room/play room/family room. At one point in the early 1970’s, my then teenaged sister, painted the walls brown with royal blue doorways and ceiling. It served the same function for her and her friends as the Foreman’s basement did for that group on That Seventies Show.
Years later, after my mother was sure that my brother was gone for good, his room was renovated back into a kitchen and the downstairs kitchen became storage space. This meant that my mother had to sacrifice her beloved Chambers stove which initially had been brought in with a crane and had required taking out the kitchen window. Given that the upstairs kitchen window had a fire escape, there was simply no way to bring the Chambers up. The Chambers sat unused and ignored. Here’s a picture of the “new” (circa 1973) kitchen as it looked shortly before the house was sold in 2006.
After I moved out, my parent’s bought a proper bed and a bedroom set and moved their things into the bedroom my sister and I had shared. Now that they didn’t need to pull out the trundle bed every night, they bought a dining room set and placed it in the front part of the living room.
During the mid to late seventies, my brother moved into the basement while he finished a degree and looked for a job. A couple of years after he vacated, I moved into the studio while “between apartments” for a few years. Despite the Too Close for Comfort vibe, it wasn’t bad, close to Manhattan, and walking distance from my job. On very sunny days, at just the right time in the afternoon, if I opened the curtains and sat under the window, I could even read without a lamp. I used the private entrance by the garage, and was mostly left alone. At one point, nursing a slightly broken heart, I painted the fridge yellow with black and white checks, something I might not have dared to do if I hadn’t been close to the landlord.
As my parents grew older, they didn’t maintain the place as they should have. . The waiting room furniture, mostly purchased in the early 1960’s including a sun-faded beige couch with clear plastic cover that was a hand-me down from the residence, remained long after my father retired.
During the final weeks of my father’s life, when he was bedridden, strange things began to occur. All of the air conditioners, except the one in his bedroom, stopped working. When it rained, water would come through the skylight. The downstairs bathroom light shorted out and the electrician discovered a potentially hazardous leak coming from the upstairs shower. Circuit breakers popped constantly and windows refused to open or slammed themselves shut.
My father whose cognition was by then bit muddled became agitated and kept muttering something about the house and the “clockwork running down.” He tried to give me instructions, but none of it was comprehensible. I’d rub his bony shoulder and ask him if he wanted more morphine.
My sister and I joked about the whole place imploding once he was gone.
As many of the relatives were elderly and could barely make it up the front steps, we sat shiva downstairs in the waiting room/parlor. My sister scurried my mother to her Albany home within a week of the funeral.
A couple of months later, I was in the living room supervising two men helping me load a truck with the furniture that would go to my mother’s new apartment in an assisted living facility near my sister’s. As they were bubble wrapping a glass tabletop, my father’s trumpet, which was sitting on a TV snack table in a far corner of the room, crashed to the floor. There was no vibration or anything that could have accounted for its sudden movement. I immediately apologized to my father and explained why we were taking the furniture and for whom. The men, from a culture where talking to the deceased is not considered odd, waited patiently.
The house was sold in early 2006, when the market was still good. With fancy luxary condos coming up in adjacent Long Island City, Sunnyside’s fortunes were rising.
I never stepped into the house after the sale, but passed by occasionally while they were renovating. I knew the buyers were planning to fix it up, and rent out each unit. From the outside I could see new walls and doors. The plan was for both the first and second floor to be functional two bedrooms. They fixed up the patio even adding lawn furniture and built a front entrance for the basement. I managed to find pictures of the renovated apartments in the rental listings on Craigslist. The asking price for the wider upstairs apartment was $2,400 which seemed absurdly high, and who knows what they got in the end. The bathrooms were redone, eliminating the distinctive stall showers with the glass doors which featured both sideways and overhead sprinklers. The kitchens were completely updated and of course the Chambers was gone. They kept the original parquet floor upstairs, and found the one downstairs buried below the ugly carpet. They left the fireplaces. There were no pictures of the renovated “ground floor” studio ($950 a month). I wonder if the radiator still sits oddly on the ceiling, and hope they didn’t get rid of the original concrete floor tiles.
I still stop by the house from time to time though I neither live nor work anywhere nearby. One day, when I can no longer stand it, I will knock on the apartment doors and ask to go inside. I will avoid the temptation to tell them I may have left something behind.
It’s the middle of the day.You are coming from one work meeting and on your way to another.You go down the subway stairs. A train is pulling in as you swipe your Metro-card.It’s not packed, but there are people.
You take a seat in a row of four seats to the left of the door.There is one other person sitting in the row.She is wearing a black niqab.There is an empty seat between the two of you.All that’s visible is her eyes.Not even her eye-brows or nose. You notice her feet.She’s wearing shoes that don’t have laces.They are not masculine or feminine and they are large.Grandma what big feet you have….
You don’t want to stare, but you look to the side and see what you can of the face.Plump bit of cheek.Dark copper skin.No make-up, no mascara.It’s hard to tell with only this side view, but there’s nothing “womanly” about what you see. Her body too is so covered it’s hard to make out the shape.She has a bag — it’s not a purse, more like a small briefcase with a zipper. You feel a weight in your legs like when you suddenly can’t move in a dream when something bad is about to happen.
She pulls a small leather-bound book from the bag and opens it.The print is Arabic and the borders are very elaborate.She looks like she is praying.You notice her hands holding the book.Her hands are unadorned and quite big.Suddenly you think of the phrase from that old TV show.Man hands.
The train pulls into the next stop.What do you do?