Category Archives: book reviews

Your Saturday Book Review — The Great Gatsby

Although I haven’t read it in years, in honor of the newest movie version, today’s Saturday book review will be F. Scott Fitzgerald’s The Great Gatsby.

If you haven’t read it, must you?
YES.

If you read it only once a long time ago, should you read it again?
Probably.

Why not just see the movie?
Gatsby is not only a great book, it’s one of the most accessible “classics” ever written. It’s a short novel, practically a novella, not only in length but in the simplicity of its structure. The plot is straightforward, and the prose beautiful, polished and as smooth as one of those expensive shirts Daisy rolls around in from Gatsby’s closet. Gatsby’s Closet – now that would make a great name for a men’s shop, or a section in Barneys.

You could just see the movie, but you’d be missing a lot. This is a first person story told by a narrator, Nick, who is always just a bit removed from the action. There’s a difference between “seeing” through Nick’s eyes, where the truth emerges slowly, and seeing explicitly through a camera. Movies are a visual medium. Books are about the words, and Gatsby is filled with asides, descriptions and phrases that are gems, which won’t easily translate to visuals. (347 of them have been contributed to a list on Goodreads.) It would be like seeing a ballet of a Shakespeare work. It might be worthwhile, in and of itself, but it’s not the same.

The New York State English Language Arts Regents Exam, required for high school graduation, has an essay question where the student is asked to elaborate on a statement, using two works he or she has read. Back when I taught high school, in practice session, young men often chose Gatsby as one of the works. Most of the statements are general and often involve themes like loyalty, friendship, love or values, and Gatsby is about all of these, but mostly it’s a story about a man who loved a woman and remade his whole life to win her, and won her, and ultimately died for her and she wasn’t worth it. This seemed to resonate with young men, mostly poor, who have grown up in a world where people meet violent ends and the ability to have tons of stuff is valued above all else. They would write about the book with passion, and honesty. They weren’t parroting something they’d heard a teacher say. They got it.

It amazes me that there has been no modern day hip-hop version of the story, with cocaine or marijuana as the bootlegged substance Continue reading Your Saturday Book Review — The Great Gatsby

Dept of FFS — Somebody Whining in Salon about Self-Publishing

So this morning, I read yet another post in Salon written by mid-list author bitching and moaning that self-publishing is hard. Is this part of a series?

Had the post itself been funny or otherwise entertaining, it might have worked as an attention getting strategy for the book,  but instead it was long, boring, and full of self-pity, thus prompting a response on my part, which you could either search for in the comments, or read below:

I probably should consider my words here, but….

Me, me, me. Would you like some cheese with that whine?. Did someone twist your arm and force you to self-publish your novel? Did you do any actual research before you took the plunge? Work with your agent on coming up with a publicity strategy? What on earth made you think that doors would simply be open to you? Also, your friends are your friends. It would be nice if they would support you or help you out, but it’s not their job, and it gets awkward, especially when these are well-connected friends and it feels like they are being used. (Which isn’t to say that you can’t give a reading somewhere and make it sound like the best party EVER and invite people you know and love.)

Self-publishing is tough. It’s especially tough for people trying to pedal mid-list type, non-genre novels, mostly because readers who read those kinds of books like the idea of gatekeepers and are unlikely to find your book without reading a review in one of the places that doesn’t as a rule review self-published books, Continue reading Dept of FFS — Somebody Whining in Salon about Self-Publishing

Your Saturday Book Review: Sentimental Education OR The 100 Dollar Misunderstanding

(Once again I find myself reading or not reading three different novels, and am forced to review something I read once upon a long time ago.)

The line between satire and bad taste may be non-existent, and once the work is no longer topical, in most cases, all that’s left is bad taste. This may be the problem with Robert Gover’s once daring novel, The One-Hundred Dollar Misunderstanding, which is part of a trilogy for those readers who won’t read anything unless it’s a series. It should be noted, however, that this novel can stand alone, if it stands at all.

Let me confess, I read it years ago, when it was in a list of recommended books for a college creative writing class. The reason it was on the list had to do with voice – not in the sense of the distinctive capital V writer’s voice, but rather the creation of characters with distinctive voices, telling stories from their points of view, and the concept that one could tell the same story from the entirely different points of view of two (or more characters).

The few of you who’ve actually read, Loisaida, may now be experiencing an “ah-hah” moment, as, clearly, this book had a definitive influence (for better or worse) on yours truly.

The setting is the early 1960’s, back when it was really still the 1950’s, before the JFK assassination, and The Beatles, and everything changed. The plot, or misunderstanding involves one James Cartwright Holland, Continue reading Your Saturday Book Review: Sentimental Education OR The 100 Dollar Misunderstanding

Your Saturday Book Review: The Mirage by Matt Ruff

Matt Ruff’s novel, The Mirage, certainly owes a debt to Philip K Dick’s classic The Man in the High Castle, then again who doesn’t owe a debt to Dick?

Rather than trying to recount the plot myself, here’s this from the Amazon book blurb:

1/9/2001: Christian fundamentalists hijack four jetliners. They fly two into the Tigris & Euphrates World Trade Towers in Baghdad, and a third into the Arab Defense Ministry in Riyadh. The fourth plane, believed to be bound for Mecca, is brought down by its passengers. The United Arab States declares a War on Terror. Arabian and Persian troops invade the Eastern Seaboard and establish a Green Zone in Washington, D.C. . . .

Summer, 2009: Arab Homeland Security agent Mustafa al Baghdadi interrogates a captured suicide bomber. The prisoner claims that the world they are living in is a mirage—in the real world, America is a superpower, and the Arab states are just a collection of “backward third-world countries.”

If the above doesn’t sound intriguing, stop reading the review and move on. If it does, the question is, “Does Ruff pull it off?” The answer is Continue reading Your Saturday Book Review: The Mirage by Matt Ruff

Your Saturday Book Review: The Strain and The Night Eternal Trilogy

The fact that The Strain was co-written by director Guillermo Del Toro and Chuck Hogan caught my attention. I have seen few of Del Toro’s films, but his first full-length work as a director and writer, Cronos, was a highly original take on the vampire myth. It’s not so much I remember the movie, as that images from it continue to pop into my mind, like bits of a not quite forgotten nightmare, some form of post-cinematic-stress-syndrome.

So, even though “vampire” is a genre done past death when I saw The Strain at $1.99 on Kindle, it seemed at least worth checking out the sample.

The story opens with a prologue and the words “Once upon a time…” These words are being spoken by a grandmother telling a “bubbeh meiser” or “grandmother’s tale” to her grandson. The setting as established quickly by details like the borscht being served in a wooden bowl. We’re in Poland before the Holocaust, “once upon a time” indeed. Continue reading Your Saturday Book Review: The Strain and The Night Eternal Trilogy